From nationwide cinema releases to fast-paced broadcast media,
the goal is always to engage the viewer.
I craft high-impact commercials, corporate films, and social assets,
ensuring the story is told right and the final render is delivered on time, every time.
CLIENT
Mar Revolto Produções, TV Mundo Maior, Toly, Vai na Sombra!, Freelancer
ROLE
Video Editor, Videographer
YEARS
2013 — 2026
DELIVERABLES
Feature Film Post-Production · TV Show Broadcasts · Charity Campaigns · Cosmetics Commercials · Ads · Documentaries
RELAX GAMING - 2022/2026
SOME OF MY WORK
END-TO-END
Concept to Final Render
GEAR & CAPTURE
Cinematic & Drone Footage
INNOVATION
AI-Enhanced Video Workflows
THE BRIEF
A premiere date is non-negotiable.
Whether it is a nationwide cinema release or a television show, the broadcast schedule is locked long before the final render is done. Working across feature films, daily TV programming, and commercial campaigns meant adapting to entirely different paces of production, where post-production becomes a delicate balance of craft and strict pipeline management.
The job was to ensure narrative pacing and high-quality finishing hit the mark every time—from cutting a feature film that reached ~100,000 viewers in cinemas to delivering dynamic product commercials for the beauty industry. The core objective remained the same: tell an engaging story without ever letting a deadline slip.
CADENCE
Daily TV show schedules, multi-month feature film editing, and fast-paced commercial campaign launches.
FORMATS
16:9, 9:16, 1:1
DISTRIBUTION
Nationwide Cinemas (Paris Filmes), National TV Broadcasts, Streaming platforms, and YouTube
TOOLKIT
Premiere Pro, DaVinci Resolve, After Effects
GOT SOMETHING LIKE THIS?
Tell me what you’re making, when you need it, and roughly