Slot studios live on a publishing rhythm: a title goes live on a date agreed with operators months earlier, and the marketing has to be there on the same morning. That turns motion work into a production line problem as much as a craft one.

The job was to make each launch look like it had a proper campaign behind it — trailer, social versions, store art in motion — while keeping the turnaround short enough that a slipped date never came from my side of the pipeline.